![]() The mansard-roofed original headquarters was built in the 1890s, expanded in several phases from 1907 to 2006, and has become a wonderfully confusing multi-level maze with Gilded Age detail preserved. I toured the Phillipses’ former home in mid July. The exterior of The Phillips Collection in Washington, D.C. Into the 1960s, Duncan and Marjorie could be found ‘personally greeting Gallery goers with a handshake and a few words of welcome’, the abstract painter Gene Davis recalled years later. Through a series of family tragedies he and Marjorie kept building the collection, supporting living artists, curating dozens of shows every year and supervising every administrative detail. ![]() It would serve as ‘a beneficent force in the community’ as well as a source of inspiration and comfort, dreamed up at ‘a time when sorrow all but overwhelmed me’, he wrote. He described the recent transformation of his family’s mansion into ‘a small, intimate museum combined with an experiment station’. So, in honour of the centennial of the couple’s oft-changing, still dazzling institution, I will repeat the ambitious line: The Phillips Collection is based on a definite policy of supporting many methods of seeing and painting.ĭuncan announced his goals in his book of 1926, A Collection in the Making: A Survey of the Problems Involved in Collecting Pictures, Together with Brief Estimates of the Painters in the Phillips Memorial Gallery. He hoped that it would appear in italics in all future writings about the institution. Soon after the philanthropist and aesthete Duncan Phillips (1886–1966) and his artist wife Marjorie Acker Phillips (1894–1985) founded America’s first museum of modern art in 1921, Duncan published a mission statement. The Phillips Collection is a private, non-government museum, supported primarily by donations.From the September 2021 issue of Apollo. The Phillips Collection values its community partnerships with the University of Maryland-the museum’s nexus for academic work, scholarly exchange, and interdisciplinary collaborations-and THEARC-the museum’s new campus serving the Southeast DC community. The museum contributes to the art conversation on a global scale with events like Conversations with Artists and the International Forum. Among the Phillips’s esteemed programs are its award-winning education programs for educators, students, and adults well-established Phillips Music series and sell-out Phillips after 5 events. The Phillips’s impact spreads nationally and internationally through its highly distinguished special exhibitions, programs, and events that catalyze dialogue surrounding the continuity between art of the past and the present. Its distinctive building combines extensive new galleries with the former home of its founder, Duncan Phillips. Including paintings by Renoir and Rothko, Bonnard and O’Keeffe, Van Gogh, Diebenkorn, Daumier and Lawrence, among others, the museum continues to actively collect new acquisitions, many by contemporary artists such as Wolfgang Laib, Whitfield Lovell, Zilia Sánchez, and Leo Villareal. The Phillips Collection, America’s first museum of Modern art, presents one of the world’s most distinguished Impressionist and American Modern art collections.
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